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#Man of steel box office movie
Man of Steel was a ponderous origin story with a third act that was almost nothing but action, complete with massively scaled action sequences between the Kal El and a handful of exiled Kryptonians that resembled less a conventional superhero movie than a kaiju battle. Superman Returns was a slow-burn character drama with just enough action to put in the trailers. seems flummoxed about what to do with the property, it’s partially because they tried two diametrically opposed variations and struck out both times.
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Fatal problems notwithstanding, it has its heart on its sleeve and tries to do something different. In terms of comic book superhero movies that don’t fit a conventional formula, it’s in the same realm of “Dammit, I wish this movie worked!” as Ang Lee’s Hulk. That said, it does feature an idealistic and optimistic Man of Steel (Routh makes for a fine Superman even if he’s hobbled by being forced to mimic Christopher Reeve) who relishes the whole “doing good” thing. We’re supposed to feel bad for Clark Kent (Brandon Routh) because Lois Lane (Kate Bosworth) had the gall to move on with her life after Superman vanished from Earth for five years without so much as a post-it note. has already tried two diametrically opposed Superman flicks, both with variations of the Captain America model (a serious but decent Superman dealing with a darker, grimmer real world) to mixed-at-best results.īryan Singer’s Superman Returns is a movie with serious tonal issues, a lack of crowd-pleasing action, and a deeply problematic (morally and otherwise) emotional core. The core issue with Superman movies may be that that domestic moviegoers are far more interested than overseas moviegoers. Yes, there may be artistic value in an aspirational Superman movie which emphasizes “immigrant’s story” over “Moses parable” or “Christ allegory,” but the notion that “do for Superman what Marvel did for Captain America” is some kind of magic bullet is simplistic at best and incorrect at worst. The event pic’s worldwide cume through Sunday is $145.3 million.In another case of folks taking a non-quote in a trade article as “straight from the studio’s mouth” gospel, we’re now having the debate yet again about whether Superman, or specifically Superman movies, can be made “relevant” to modern moviegoers. Weekend earnings were $27.8 million, including $24 million internationally from 72 markets for a tepid foreign total of $91.1 million. 3 worldwide, although it continues to underperform both domestically and overseas. Will Smith sci-fi epic After Earth placed No. The sixth installment is now the top grossing film in the series, besting the $628 million earned by Fast Five. 2 worldwide over Father’s Day weekend with international and domestic ticket sales of $29.4 and pushing the action’s pic cume to $636.8 million.
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The film makes a major push next weekend when opening in another 26 markets, including a raft of major European markets. Man of Steel debuted to $9.9 million in South Korea and $9.8 million in Mexico. It opened to a $17.1 million in the U.K., one of the best showings for a superhero film and almost on par with Iron Man 3 earlier this summer. Combined with $12 million from special Walmart screenings Thursday night, the film’s domestic total through Sunday was $125.1 million.Īs a way of comparison internationally, Man of Steel is pacing nearly 40 percent ahead of Nolan’s sequel The Dark Knight, which ultimately earned $470 million overseas. Man of Steel‘s weekend take in North America was $113.1 million, the top opening for June. Box office observers will track the film’s international run closely, since Superman has historically been a distinctly American hero (then again, Captain America: The First Avenger did more business overseas than domestically, or $192 million versus $176 million).īOX OFFICE REPORT: ‘Man of Steel’ Nabs $125.1 Million for No. Snyder directed the $225 million tentpole, with Nolan producing. and Legendary Pictures as they go about resurrecting the marquee franchise. The film’s early foreign performance is a notable success for Warner Bros. Overseas, the Superman pic soared to enviable heights in Mexico, Southeast Asia and the U.K., home country of star Henry Cavill. 1 worldwide opening of $196.7 million after earning $71.6 million from its first 24 international markets, impressing even studio rivals. Zack Snyder and Christopher Nolan‘s Man of Steel whipped up a No.